No, despite John Travolta's warbling being tough to decipher, GOTTI does not count
French zombies, Indonesian bloodbaths, Mexican ghosts, Italian presidents and more feature in some of the best world cinema had to offer in 2018.
CONTINUE READING
UPGRADE tells us that the only good disabled hero is a massively enhanced disabled hero
I didn’t hate Leigh Whannell’s Upgrade. It’s a capable action film with some innovative shot design and it pulls off an almost not-laughable near-future setting with clearly limited means. It’s fine. Some of its action sequences are really wonderful. I love watching the camera follow every move, and the balletic synergy between fight moves and blocking.
CONTINUE READING
Men dominate the Dad Media film and television landscape, especially in the crime procedural sub-genre. CBS, one of the leading networks on crime procedurals, simultaneously uses people of color and women to affirm the status quo while providing just enough effort to pushing the boundaries it has set.
CONTINUE READING
The stunts are famously real, but the entire impossible mission is more genuine than it may seem.
The whole series is, not-so-secretly, about the pulse-pounding drama of trying to make a movie.
CONTINUE READING
