Note: I use the term “Coppola’s girls” and “Coppola’s women” somewhat interchangeably simply because her characters range in age from pubescent to young adult.  Let’s start by shedding the shallow idea that Sofia Coppola’s cinema is a bored dissection of upper-class ennui. A popular refrain is that she shares with Wes Anderson a fascination with the restlessness of
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