Review: REMINISCENCE
Lisa Joy’s science fiction noir film REMINISCENCE is an empty and awkward exercise in genre nostalgia.
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Lisa Joy’s science fiction noir film REMINISCENCE is an empty and awkward exercise in genre nostalgia.
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Ryan’s unquestionable, objective ranking of the films of 2017
Ryan looks back at an absurdly good year in film. He also picks some crazy stuff.
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Not quite great, but still a fun time
I’ll be honest: I had no idea what to expect when going into The Greatest Showman. I hadn’t really seen any previews, had heard none of the songs, and knew next to nothing about it other than it starred Hugh Jackman and was about P.T. Barnum. But once I had heard that the lyricists behind
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For Better and For Worse
Shockingly violent, and at times surprisingly heartfelt, Logan provides a fitting, if somewhat uneven end to the character’s story.
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