A captivating lead performance by Marcello Fonte is enough to elevate the thin allegory and staid crime drama of Matteo Garrone’s DOGMAN
CONTINUE READING

Terry Gilliam’s long-awaited movie needs 400 years of literary history to properly discuss.
CONTINUE READING

Growing up as a child, the Cannes Film Festival was a strange anomaly. For me the existence of a film festival was strange and out of place. Movies went to movie theatres so why would people go to a party that showed movies. The logic, for me, was circular and redundant. At the time, despite
CONTINUE READING