Paul Bettany’s lead performance gives weight to Alan Ball’s UNCLE FRANK, which is otherwise a shallow, manipulative and caricatured film.
CONTINUE READING

THE LAST VERMEER fails to balance Guy Pearce’s enthralling, showy trial sequences with an inane investigation muddled by Claes Bang’s uninteresting lead.
CONTINUE READING

Kevin Costner and Diane Ladd are stellar in the western-riff LET HIM GO, which is a perfect showcase for their respective talents.
CONTINUE READING

The Glorias kicks off like basically every biopic, with a scene featuring the Oldest version of Gloria Steinem (played in this incarnation by Julianne Moore). The film then cuts back to her childhood upbringing, contrasting who she became with where she started. It’s a traditional framing that belies a far more unconventional vision that the film
CONTINUE READING

Miranda July’s KAJILLIONAIRE finds a perfect balance between Capital-Q Quirk, dark undercurrents and a genuine warmth and affection for its eccentric characters
CONTINUE READING

Words on Bathroom Walls has a lot to recommend. The performances are touching, it has a unique style that makes it feel fresher than these types of movies tend to be, and it has plenty of stylistic choices that really work. The script occasionally matches that cinematic verve and flair, but it can’t escape the YA romance genre’s narrative stranglehold.
CONTINUE READING

RADIOACTIVE attempts to celebrate the life and work of Marie Curie, but is merely a banal series of biopic clichés
CONTINUE READING

Cinema Chance Cube goes to a snowed out cabin in Maine to fight off aliens and watch the Lawrence Kasdan film DREAMCATCHER
CONTINUE READING

Filmmaker Jason Horton joins Kevin, Ryan and Shannon to discuss C.M. Talkington’s LOVE AND A .45
CONTINUE READING

Well hello there! Long time no see! Because I’m not exactly the most on-top-of-things, as you may have gathered from listening to the previous eleven episodes of Cinema Chance Cube, I forgot to do show notes for last week’s show. So lucky for you, we’re booking a double feature for you this time around: Michael
CONTINUE READING

Patrick Vollrath’s feature debut 7500 is another decent entry in the single-location subgenre of indie thrillers.
CONTINUE READING

The Cube determines that TOTAL RECALL is the next episode, so the boys get their asses to Mars and discuss Verhoeven and Schwarzenegger’s masterpiece.
CONTINUE READING

Andrew Patterson’s directorial debut, THE VAST OF NIGHT, is a clever sci-fi thriller that utilizes its 1950s setting to maximize the film’s feelings paranoia and isolation
CONTINUE READING

Kevin, Ryan and Shannon are exposed to immense amounts of gamma radiation and bad dads with Ang Lee’s HULK
CONTINUE READING

Fate decides the Cinema Chance Cube boys must watch the 1949 Carol Reed classic THE THIRD MAN, starring Joseph Cotten and Orson Welles!
CONTINUE READING

Mavis McGee joins the Cinema Chance Cube to discuss Sam Peckinpah’s THE GETAWAY
CONTINUE READING

Kevin loaded the Cinema Chance Cube with Shane Black’s THE NICE GUYS, which he, Ryan and Shannon agree is one of the best films of the past decade.
CONTINUE READING

The Cinema Chance Cube gents mambo their way into the world of DTV madness with the Albert Pyun film MEAN GUNS starring Christopher Lambert and Ice-T
CONTINUE READING

Kevin, Ryan and Shannon are a trio of soundmen trying to solve conspiracies and discuss Brian De Palma’s BLOW OUT on the latest episode of Cinema Chance Cube
CONTINUE READING

The Cinema Chance Cube boys are back to talk about François Truffaut’s French New Wave film SHOOT THE PIANO PLAYER
CONTINUE READING

The Cinema Chance Cube podcast returns with Kevin, Ryan and Shannon selling their souls to watch 2000’s BEDAZZLED
CONTINUE READING

Lewton Bus’s freshest podcast series Cinema Chance Cube kicks off with Kevin, Ryan and Shannon watching the 1990 Dolph Lundgren film I COME IN PEACE
CONTINUE READING

COVID-19 might have shut down most of 2020’s film landscape, but the year has still given us one masterpiece: Eliza HIttman’s NEVER RARELY SOMETIMES ALWAYS
CONTINUE READING

THE INVISIBLE MAN is a horrific tale of the effects our violent, male-centric society has on women by way of one of the Universal Classic Monsters
CONTINUE READING

Back again for another year, the Jeff Wells of Lewton Bus, Kevin Kuhlman, breaks down this year’s Academy Awards
CONTINUE READING

Sam Mendes’ long-take heavy 1917 is a thrill ride through the battlefields of World War I.
CONTINUE READING

THE RISE OF SKYWALKER, the latest STAR WARS film, suffers from incomprehensible plotting, a devout focus on inconsequential minutae and crippling nostalgia
CONTINUE READING

Daring and unafraid of pulling its punches, QUEEN & SLIM is a provocative, unsanitized work of art featuring star turns by Daniel Kaluuya and Jodie Turner-Smith
CONTINUE READING

Rian Johnson’s KNIVES OUT combines playful performances and witty writing to provide a wealthy abundance of laughs, fun, twists, and intrigue.
CONTINUE READING

FROZEN II is narratively ambitious and visually inventive, living up to its predecessor without being a mere retread, letting the past be in the past.
CONTINUE READING

LAST CHRISTMAS is a perfectly gentle, charming and breezy Christmas-themed rom-com, even despite its bad twist and off-tone digressions into darker themes.
CONTINUE READING

One of the year’s best films, MARRIAGE STORY features some of Noah Baumbach’s finest work as a writer/director and incredible leading performances from Adam Driver and Scarlett Johansson.
CONTINUE READING

Kasi Lemmons attempts to add weight and depth to the biopic formula with HARRIET to mixed results.
CONTINUE READING

With bad pop culture references and terminally inane musical interludes, THE ADDAMS FAMILY suffers from everything that is wrong with 21st century children’s entertainment
CONTINUE READING

WHERE’S MY ROY COHN, the documentary about the notorious attorney, is heavy on facts but light on insight into one of the 20th Century’s most destructive figures.
CONTINUE READING

Renée Zellweger’s performance does its best to elevate JUDY, but the film still cannot escape the clichés and banality of the musician biopic genre.
CONTINUE READING

Jillian Bell’s stellar, hilarious performance carries BRITTANY RUNS A MARATHON even when the film around her can’t always keep up
CONTINUE READING

The striking performances and rich chemistry of Shia LaBeouf and newcomer Zack Gottsagen bring THE PEANUT BUTTER FALCON to life as one of the year’s best films.
CONTINUE READING

ANGEL HAS FALLEN attempts to be more respectable than its predecessors and humanize its hero, but in doing so sapped the franchise of what little uniqueness and personality it had.
CONTINUE READING

GOOD BOYS, despite the dire advertising, is a solid coming-of-age comedy that overcomes a predictable setup with well crafted jokes and plenty of heart.
CONTINUE READING

André Øvredal’s adaptation of the children’s horror classic SCARY STORIES TO TELL IN THE DARK is full of gruesome effects and terrifying monsters, but struggles to come together as a compelling narrative.
CONTINUE READING

BRIAN BANKS is a garishly loud, unsubtle film that fails to inspire despite the incredibly powerful true story it’s based on.
CONTINUE READING

The Lewton Bus crew breaks down our favorite films of the year so far, including superhero epics, city-smashing monsters, and hour-long 3-D tracking shots.
CONTINUE READING

Emma Thompson steals the show in the Mindy Kaling penned LATE NIGHT, a clever film with enough surface pleasures and depth that will satisfy any audience
CONTINUE READING

A tale of a doomsday prepper falling for a hoarder, THE TOMORROW MAN struggles to find its footing despite strong direction from debutant Noble Jones
CONTINUE READING

Guy Ritchie’s live action remake of ALADDIN is enjoyable from start to finish, buoyed by confident direction, stellar performances, and classic musical numbers brought to life.
CONTINUE READING

Ritesh Batra’s PHOTOGRAPH eschews traditional cinematic depictions of love and romance and avoids overwrought grand gestures to instead focus on the small moments that make up true loving relationships.
CONTINUE READING

JOHN WICK: CHAPTER 3 finds a satisfying middle ground between the straightforward action of the first film and the universe-expanding mythos of the second… head-shotting hundreds of dudes in the process.
CONTINUE READING

The Lewton Bus crew have brought our minds together and compiled the capital B Best things about the Marvel Cinematic Universe. You may disagree with some of our choices, but you would be wrong.
CONTINUE READING

In what is easily the nerdiest article to ever grace Lewton Bus, Kevin dives into his love for YouTuber STAR WARS READING CLUB
CONTINUE READING