Lewton Bus’s freshest podcast series Cinema Chance Cube kicks off with Kevin, Ryan and Shannon watching the 1990 Dolph Lundgren film I COME IN PEACE
CONTINUE READING

COVID-19 might have shut down most of 2020’s film landscape, but the year has still given us one masterpiece: Eliza HIttman’s NEVER RARELY SOMETIMES ALWAYS
CONTINUE READING

THE INVISIBLE MAN is a horrific tale of the effects our violent, male-centric society has on women by way of one of the Universal Classic Monsters
CONTINUE READING

Back again for another year, the Jeff Wells of Lewton Bus, Kevin Kuhlman, breaks down this year’s Academy Awards
CONTINUE READING

Sam Mendes’ long-take heavy 1917 is a thrill ride through the battlefields of World War I.
CONTINUE READING

THE RISE OF SKYWALKER, the latest STAR WARS film, suffers from incomprehensible plotting, a devout focus on inconsequential minutae and crippling nostalgia
CONTINUE READING

Daring and unafraid of pulling its punches, QUEEN & SLIM is a provocative, unsanitized work of art featuring star turns by Daniel Kaluuya and Jodie Turner-Smith
CONTINUE READING

Rian Johnson’s KNIVES OUT combines playful performances and witty writing to provide a wealthy abundance of laughs, fun, twists, and intrigue.
CONTINUE READING

FROZEN II is narratively ambitious and visually inventive, living up to its predecessor without being a mere retread, letting the past be in the past.
CONTINUE READING

LAST CHRISTMAS is a perfectly gentle, charming and breezy Christmas-themed rom-com, even despite its bad twist and off-tone digressions into darker themes.
CONTINUE READING

One of the year’s best films, MARRIAGE STORY features some of Noah Baumbach’s finest work as a writer/director and incredible leading performances from Adam Driver and Scarlett Johansson.
CONTINUE READING

Kasi Lemmons attempts to add weight and depth to the biopic formula with HARRIET to mixed results.
CONTINUE READING

With bad pop culture references and terminally inane musical interludes, THE ADDAMS FAMILY suffers from everything that is wrong with 21st century children’s entertainment
CONTINUE READING

WHERE’S MY ROY COHN, the documentary about the notorious attorney, is heavy on facts but light on insight into one of the 20th Century’s most destructive figures.
CONTINUE READING

Renée Zellweger’s performance does its best to elevate JUDY, but the film still cannot escape the clichés and banality of the musician biopic genre.
CONTINUE READING

Jillian Bell’s stellar, hilarious performance carries BRITTANY RUNS A MARATHON even when the film around her can’t always keep up
CONTINUE READING

The striking performances and rich chemistry of Shia LaBeouf and newcomer Zack Gottsagen bring THE PEANUT BUTTER FALCON to life as one of the year’s best films.
CONTINUE READING

ANGEL HAS FALLEN attempts to be more respectable than its predecessors and humanize its hero, but in doing so sapped the franchise of what little uniqueness and personality it had.
CONTINUE READING

GOOD BOYS, despite the dire advertising, is a solid coming-of-age comedy that overcomes a predictable setup with well crafted jokes and plenty of heart.
CONTINUE READING

André Øvredal’s adaptation of the children’s horror classic SCARY STORIES TO TELL IN THE DARK is full of gruesome effects and terrifying monsters, but struggles to come together as a compelling narrative.
CONTINUE READING

BRIAN BANKS is a garishly loud, unsubtle film that fails to inspire despite the incredibly powerful true story it’s based on.
CONTINUE READING

The Lewton Bus crew breaks down our favorite films of the year so far, including superhero epics, city-smashing monsters, and hour-long 3-D tracking shots.
CONTINUE READING

Emma Thompson steals the show in the Mindy Kaling penned LATE NIGHT, a clever film with enough surface pleasures and depth that will satisfy any audience
CONTINUE READING

A tale of a doomsday prepper falling for a hoarder, THE TOMORROW MAN struggles to find its footing despite strong direction from debutant Noble Jones
CONTINUE READING

Guy Ritchie’s live action remake of ALADDIN is enjoyable from start to finish, buoyed by confident direction, stellar performances, and classic musical numbers brought to life.
CONTINUE READING

Ritesh Batra’s PHOTOGRAPH eschews traditional cinematic depictions of love and romance and avoids overwrought grand gestures to instead focus on the small moments that make up true loving relationships.
CONTINUE READING

JOHN WICK: CHAPTER 3 finds a satisfying middle ground between the straightforward action of the first film and the universe-expanding mythos of the second… head-shotting hundreds of dudes in the process.
CONTINUE READING

The Lewton Bus crew have brought our minds together and compiled the capital B Best things about the Marvel Cinematic Universe. You may disagree with some of our choices, but you would be wrong.
CONTINUE READING

In what is easily the nerdiest article to ever grace Lewton Bus, Kevin dives into his love for YouTuber STAR WARS READING CLUB
CONTINUE READING

Hotel Mumbai is gut-wrenchingly suspenseful, but the lack of subtext or artistic statement makes the gripping filmmaking feel hollow and even somewhat exploitative
CONTINUE READING

THE MUSTANG is a formulaic story of recovery in the modern American west that is heightened by its beautiful visuals and warm but powerful performances
CONTINUE READING

It’s a wonderful night for Oscar! Oscar! Oscar! It’s also a wonderful night for Lewton Bus’s “official” Oscar night preview by our own cynical awards expert Kevin Kuhlman.
CONTINUE READING

To celebrate the 30th anniversary of BILL & TED’S EXCELLENT ADVENTURE, our resident Phoenix native Kevin takes us on a tour of the many of the film’s shooting locations from his hometown.
CONTINUE READING

Kevin celebrates his top ten favorite films of 2018, a remarkable year for cinema of all kinds
CONTINUE READING

Given how great a year 2018 has been for cinema, our own Kevin Kuhlman struggled to pare down his list of favorite films to merely just 10. So here is the first part of his 18 favorite films of 2018!
CONTINUE READING

Kevin breaks down his favorite action scenes of 2018, from the small gory thrillers from Indonesia to the biggest blockbuster of the year.
CONTINUE READING

Lewton Bus’s Kevin Kuhlman reveals some big news and breaks down his favorite scenes of 2018
CONTINUE READING

James Wan’s AQUAMAN is an inventively fun action film that brings the oft-mocked superhero to life by leaning into the inherent silliness of the character and his comic-book history.
CONTINUE READING

Joel Edgerton’s BOY ERASED is an “important issues” film that plays to the cheap seats and fails to find anything new to say.
CONTINUE READING

Asghar Farhadi’s follow up to THE SALESMAN, EVERYBODY KNOWS, is a fairly straightforward thriller brought to life by masterful acting and direction.
CONTINUE READING

Alfonso Cuarón’s ROMA is one of the year’s best films, masterfully weaving an intimate period piece family drama with the scope and flair of a historical epic
CONTINUE READING

Allen and Kevin are joined by Sthefany “Z” Flores to discuss the 2009 horror-comedy ZOMBIELAND on this month’s episode of MY FAVORITE MOVIE
CONTINUE READING

A black comedy of the of the absurd, TO DUST is a riotously funny buddy tale of a Hasidic Jew and a community college professor coming together to study bodily decomposition after a loved one’s passing.
CONTINUE READING

A captivating lead performance by Marcello Fonte is enough to elevate the thin allegory and staid crime drama of Matteo Garrone’s DOGMAN
CONTINUE READING

Tonal balance might be the most important part of a film. Typically, comedies should feel like comedies, dramas like dramas, action like action, etc. The tones of a film can change, but it’s up to the writers, directors, actors, and others to make sure that those shifts aren’t jarring for the audience and that they
CONTINUE READING

Season 2 of AMERICAN VANDAL is a plea for empathy for teenage high school students to be embraced for who they are… featuring lots and lots and lots of poop.
CONTINUE READING

How Arnold Schwarzenegger and John McTiernan built the perfect 80s action movie… only to tear it all down.
CONTINUE READING

Kevin rolls over for PICK OF THE LITTER. A warm and fuzzy documentary about the world of seeing-eye dogs, from rolly-polly puppy to full grown canine guide.
CONTINUE READING

September sucks for theatrical releases, so here are a few 2018 streaming films to get you through this month-long desert of moviegoing.
CONTINUE READING

The MFM crew sits down with Will Hyland to discuss Sicario.
CONTINUE READING