Things We’re Digging This Week – Week of 9/11/17

If you like Hard Target, have we got the digs for you. Also, some video games.

Each week the Lewton Bus gang will get together and write up a brief account of something we’re digging hard on this week. It can be a movie, TV, the love between a man and a squirrel, music, or anything, really! But mostly Hard Target. We really love Hard Target.

Bee McGeeHard Target

Having been recently displaced by Hurricane Irma, I suddenly had a lot of time to catch up on 2017 releases. However, while I caught a lot of films that I ended up liking (IT, Rough Night, Born in China, Logan Lucky, etc.) the film that has stayed with me the best was actually an older film: John Woo’s Hard Target. I was in love with this film from basically the first frame, with that Western-ass score, Jean-Claude Van Damme’s weirdly magnetic performance (and kickflips,) and some truly fantastic action. It’s already a new favorite of mine, and I cannot wait to rewatch it.

Andrew ClarkHard Target

We all know the trope. A couple of ne’er-do-wells on a dusty street accost an innocent. A brave gunslinger steps out of the saloon, and he throws his coat back, revealing a worn leather holster and a Colt .45, ready to go. A shootout commences.

John Woo knew exactly what he was doing, creating Hard Target, a great ’90s Western if there ever was one. In this magnificent scene, everything about that old Western trope is fulfilled, only instead of throwing his coat back to reveal a pair of six-shooters, Jean-Claude Van Damme pulls his duster away to reveal his magnificent gams.

From there, it’s not a matter of if the bad guys will get kicked in the face, but merely when they will get kicked in the face.

It is one of the great moments of cinema.

H.M. FloresAvatar: The Last Airbender

Reaching similar heights as the DC Animated Universe in the nineties and Disney’s best movies, this Nickelodeon epic saga took me by storm. It’s an emotional roller coaster full of lovely characters with rich arcs and interpersonal dynamics where even the minor ones feel fully realized, precise attention to design details and insanely high stakes that keep you screaming at your screen. It controls its tone like nobody’s business, making you laugh and shed a tear or two in the span of a single episode.

It’s a show I wish I had when I was a kid, not just because of its storytelling qualities. It has a very healthy ethos integrated with thematic intelligence and sympathy.

Tanner Volz Prey

Prey from the crack team at Arkane Studios – the talented weirdos who created the Dishonored games – somehow consumed all of my PS4 shifts over the past few weeks. It’s sneaky that way – it’s so all-consuming and satisfying that I didn’t notice that I’d let a walloping 7% trophy completion eat so many of my spare hours. It’s expertly paced, revealing densely packed new areas and minute improvements to your armory in ways that unlocking a single door can reward you for a whole day’s worth of play. Its combat is fun and never frustrating, in part because it encourages creative monster-slaughter / avoidance at whatever speed you like. Emergent play is more or less a given these days but Arkane is unique in that they blend flexible mechanics with deceptively linear gameplay, marrying story and freedom in a way that is singularly captivating.

Allen Strickland Uncharted: The Lost Legacy

I’ve made my love of the Uncharted franchise known in this column in the past. I recently purchased the newest entry in the franchise, the spinoff Uncharted: The Lost Legacy. By forgoing Nathan Drake and instead focusing in on side characters Chloe Fraser and Nadine Ross, the game charts a bold new direction for the franchise. Everything you love about the franchise is back, with the addition of some bold new twists on the mechanics. This time set entirely in India, the story is a little more narrow and at 9 hours you’ll definitely blaze through the story, but it’s well worth the purchase and the play.

Kevin KuhlmanMario Party

About a month or so ago, my wife and I caved and bought a used Nintendo 64. It came with some of the more famous titles like Super Mario 64, Mario Kart 64, and Super Smash Bros., but we finally caved and bought the titles we really were hoping for: Mario Party 1, 2, and 3. Mario Party holds up so well it’s astounding. The central conceit of a board game mixed with mini-games is evergreen, and it’s both a nostalgic kick as well as an in-the-moment blast to play. We’ve already logged a couple games this past weekend and we’re looking forward to spending a significant portion of our weekend nights in the future with these games.

Hard Target is pretty dope too.

Well, that turned out to be less Hard Target focused than I hoped, but thems the breaks. Let us know what you think of our digs in the comments and what you’re digging this week. Keep digging, friends!

  • As a New Orleanian, I love HARD TARGET, both because I get to recognize locations and whatnot AND because of how hilariously wrong it gets the city. Most movies set in New Orleans do, but HARD TARGET takes it to a new level of camp.

    • L.A. is the same way. I forget the movie, but there was a downtown chase scene that basically just circled my aunt’s block like a dozen times

    • always been curious how accurate “Treme” was given how many natives were involved with it, did you watch any of it?

      • I did, and they really nailed it. The scene that really sold me on it was in the first episode, when Goodman and Melissa Leo are at Kim Dickens’ restaurant and she offers them lemon ice for dessert. Goodman says, “Nope. I’m not eating lemon ice until Brocato’s is open again.”

        Angelo Brocato’s is an ice cream parlor and patisserie that was heavily flooded during Katrina (There’s a marker on the front door that shows where the water line was.). Every time I go home I go there at least once and get lemon ice, a shot of espresso and an eclair. It’s a New Orleans institution that’s only well known to locals.

        The only off bits I can think of were a shot of the Super Dome early in the series that showed the roof already repaired and they got the timeline for Hubig’s Pies being available again wrong.

        Those fuckers did their research.

  • Something
  • I’m convinced that Chance Boudreaux (because his Mama took one…) is the ENTIRE basis for Gambit.

    Also, in Avatar, the episode where Iroh goes to his son’s grave is one of the most emotional moments ever put in a children’s cartoon

    • The DC & Marvel fan

      Tales of Ba Sing Se is indeed a very good example of Avatar’s tonal balance. You got Sokka doing his goofball stuff in a Haiku contest, a quiet continuation of Zuko’s journey and that moment with Iroh in the grave.