AWAY suffers from cloying and inconsistent writing, but is carried by solid visuals and Hilary Swank’s commanding presence.
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THE FAN dissects the dangers of letting the things we like define the entirety of your identity and life.
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THE VOICES subverts expectations around the Nice Guy archetype and indicts the rationalizations for male abuse.
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A bold visual style and a star-making performance from Colin Farrell helped to turn TIGERLAND into one of Joel Schumacher’s best films.
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LOOK WHO’S BACK is a shockingly prescient satire about the insidious ways in which fascism is normalized in society.
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A stellar performance from Matt Ryan and a dark sense of fun make CONSTANTINE: CITY OF DEMONS one of the best DC adaptations in recent years.
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Despite having notable flaws in its structure and pacing, SERGIO is worth a watch thanks to its charismatic stars and noble intentions.
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Two decades after its release, AMERICAN PSYCHO has acquired new layers as a character study about misogyny and social pretense.
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SUPERMAN: RED SON squanders its potential and commits the same mistakes as previous animated DC adaptations.
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DEATH TO SMOOCHY came out in 2002, but it’s a prescient portrayal of the so called “cancel culture” we live in today.
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EQUILIBRIUM is a riff on George Orwell that’s elevated by a unique action style, as well as a nuanced central performance from Christian Bale.
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UNFRIENDED is a highly entertaining series that uses the internet’s features to comment on the dangers that come with it and convey fear.
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THE DRAGON PRINCE’s third season aims higher than ever before, landing some of the most rounded character dynamics in the show.
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An old-fashioned crowd pleaser through and through, FORD V FERRARI offers nail-biting set pieces from director James Mangold as well as effortlessly cool performances from its cast.
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SNOOPY IN SPACE is an endlessly entertaining celebration of friendship, knowledge and our capacity for wonder.
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Netflix’s ELI is a serviceable horror romp elevated by one of the most delightfully outrageous climaxes of the year.
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EL CAMINO, the BREAKING BAD epilogue, is not without its charms, but its thin story and characterization make it underwhelming in comparison to the series.
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A look at Batman: Gotham Knight, which dissects all the elements that make the superhero a legendary figure.
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Jean-Claude Van Damme’s collaboration with Dennis Rodman and Mickey Rourke is not afraid to embrace absurdity, and it’s one of his best movies because of it.
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LADY AND THE TRAMP, Disney’s latest remake, promises old-fashioned canine fun, and sometimes, that’s all you need.
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Twenty years after its release, it’s a good moment to sing the praises for LAKE PLACID, a criminally underappreciated killer animal romp written by David E. Kelley.
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“Despite laudable efforts from Chris Evans and Michael Kenneth Williams, this workmanlike escape thriller misses the mark due to its stereotypical portrayal of Ethiopia and Sudan.”
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The Motley Crue movie transcends its attachment to music biopic tropes and analyzes its subject matter with sheer honesty, but without leaving empathy aside
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Jeff Bridges shines in A DOG YEAR, an overlooked Emmy-nominated movie about the highs and lows in life with a dog, as well as dealing with loneliness and boredom.
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Kenneth Branagh’s first big-budget production aims for the stars with energetic performances, a compelling conflict, and an immersive horror atmosphere.
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For the last thirty years, the 007 series has wrestled with finding a balance between questioning its most insidious traits and celebrating James Bond’s classic appeal and status as an icon of masculinity in film.
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ASSASSIN’s CREED’s take on the Revolutionary War introduced the series to naval combat mechanics, which proved to be a rich compliment for its gameplay and themes of liberty versus control.
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H.M. Flores evaluates AVENGERS: ENDGAME as a new perspective on the arcs of its characters over the years, as well as the Marvel Cinematic Universe as a whole.
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The effortless chemistry and charisma of HOBBS & SHAW’s two leads make it look like an absolute delight
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DUMBO could have used some polish, but its pro-animal rights messaging and unapologetic sincerity combined with Burton’s knack for fantasy spectacle are worth the price of admission.
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For the 80th anniversary of Batman, HM Flores discusses the lasting legacy of his most thematically coherent and effective cinematic outing, BATMAN BEGINS
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Ubisoft’s thematically rich WATCH DOGS series introduced an intriguing world that was a playground full of possibilities.
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Every 12 year old boy’s 90’s fanfiction comes to life as Batman meets the Ninja Turtles in the trailer for WB and Nickelodeon’s newest animated adventure.
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A heartwarming invitation to discover the lives of some of the world’s bravest canines.
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Riding horses, book attacks and motorcycle sword fights, it’s all in a day’s work for John Wick.
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Marvel superheroes, sword fights and stealthy assassins were among the highlights of H.M. Flores’ 2018.
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Rocksteady’s classic, BATMAN: ARKHAM ASYLUM, masterfully utilizes its haunting scenario to inform about its characters and their relationship with their world.
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Tom Tywker’s globetrotting procedural is a cynical indictment of banks and their influence in global politics.
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Matt Damon and Paul Greengrass took the world by storm with this masterfully crafted saga, which marked a before and after in blockbuster entertainment.
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Ubisoft’s techno-thriller series took an honest and compelling dive into the emotional toll black ops can take on its agents.
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Ethan Hunt has endured for over two decades now, and it’s for more than his ability to infiltrate highly protected facilities.
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This hackneyed disaster movie feels like it came out 20 years too late.
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The second chapter of the Creed saga promises tension, beautiful visuals and a good dose of Rocky IV nostalgia.
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A look at all those perfect and aspirational male characters the internet never talks about.
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Assassin’s Creed asks “is a pirate’s life really for me?”
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A strong cast and some effective directorial choices elevate a run of the mill dystopian story.
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A confident leading turn by Martin Freeman carries this sincere and terrifying zombie movie.
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Our Lord and Savior Tom Cruise would like to remind you that you’ll never be as cool as him.
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Marvel’s biggest crossover event is all about the importance of marking new beginnings after death.
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Andrew Niccol’s latest effort is a paint by the numbers procedural with a damaging lack of fun, wit and heart.
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