The following is part of a series of articles that record the process as I develop a horror film titled Wrath. These are not meant to be treated as educational documents but rather a glimpse into the creative process of a single filmmaker. Every writer, every filmmaker has their own process. The first entry can be found here
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The following is part of a series of articles that record the process as I develop a horror film titled Wrath. These are not meant to be treated as educational documents but rather a glimpse into the creative process of a single filmmaker. Every writer, every filmmaker has their own process. The first entry can be found here.
CONTINUE READING
Growing up as a child, the Cannes Film Festival was a strange anomaly. For me the existence of a film festival was strange and out of place. Movies went to movie theatres so why would people go to a party that showed movies. The logic, for me, was circular and redundant. At the time, despite
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The following is part of a series of articles that record the process I develop a horror film titled Wrath. They are not meant to be treated as educational documents but rather a glimpse into the creative process of a single filmmaker. Every writer, every filmmaker has their own process Part 1: The Strange Origin of
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A new Lewton Bus series about the filmmaking process!
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Storyboards are the nature of the beast that is Ridley Scott. Singular in their style and detail, they encapsulate his image making and storytelling and his exacting nature as a filmmaker.
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When I started this article, I thought I would have something witty or complex to say about filmmaking and YouTube’s cottage industry of film analysis videos that has cropped up in the last few years. And I wish I did. But all I can really muster is a long, exasperated sigh and a hope to
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