Review: BONES AND ALL
An irritating Mark Rylance performance isn’t enough to ruin Luca Guadagnino’s road trip cannibal romance BONES AND ALL
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An irritating Mark Rylance performance isn’t enough to ruin Luca Guadagnino’s road trip cannibal romance BONES AND ALL
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Director Adam Robitel brings the same flashy camera moves and lighting from the first film over to this one, and it more or less works, but concepts of the rooms are a lot less interesting, and in the case of the first subway train room, could potentially be epilepsy-inducing.
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Words on Bathroom Walls has a lot to recommend. The performances are touching, it has a unique style that makes it feel fresher than these types of movies tend to be, and it has plenty of stylistic choices that really work. The script occasionally matches that cinematic verve and flair, but it can’t escape the YA romance genre’s narrative stranglehold.
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