Review: DUNE
DUNE is a vast, audacious, heroic attempt at translating Frank Herbert’s seminal work to screen.
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DUNE is a vast, audacious, heroic attempt at translating Frank Herbert’s seminal work to screen.
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The Rock and Disney's branding defeat Jaume Collet-Serra’s attempt at crafting an earnestly bonkers adventure.
Disney’s JUNGLE CRUISE feels like a movie made for its eventual arrival on Disney+. Something you stumble on, put on out of boredom, and then end up watching all the way through due to a lack of anything better to do.
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DOCTOR SLEEP is a weird, beautiful, sad, unwieldy, sometimes silly but always earnest meditation on death, grief, trauma and addiction and how one copes with it. Oh and it’s also a sequel to THE SHINING and features psychic mind battles.
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Game of Thrones hits its climax with a controversial choice that will most likely come to define the show’s ending
Stellar filmmaking on display in the penultimate episode of Game of Thrones contrasts with bold storytelling and character developments that feel more rushed than earned
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The battle against the Army of the Dead finally arrives in “The Long Night,” a typical late-season battle episode of GAME OF THRONES
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The premiere of GAME OF THRONES final season, “Winterfell,” brings us home and back to beginnings as the show saddles up for one last ride.
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RISE. Yes, really.
Save for a fan service-y twist in the end and a truly awful title, the trailer for STAR WARS: THE RISE OF SKYWALKER looks pretty solid.
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Will Hyland reveals his top 15 films of 2018, filled with witches, skull-bears, cow hooves and Spider-Hams.
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Luca Guadagnino’s SUSPIRIA takes the bare bones of Argento’s 1977 masterpiece and molds them into a cold, chilly, muted film that demands to be seen
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Drew Goddard’s sophomore effort takes us through the looking-glass.
Drew Goddard’s latest is weird and messy and ambitious and deserves all the attention it can get.
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A flawed, fascinating journey into the wilderness
Between Blue Ruin and Green Room, Jeremy Saulnier has definitely established a name for himself. Tight, sparse aesthetics, brutal violence, quiet menace and unbearable tension have been the name of the game for him in the past few years, after his more offbeat and silly ultra low-fi horror comedy debut Murder Party. Blue Ruin and
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Director Cary Joji Fukunaga has been tapped to helm the twenty-fifth film in the JAMES BOND franchise, the fifth vehicle starring Daniel Craig.
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One of the most prolific Dad Media directors of the past ten years is also secretly one of the best filmmakers you’ve never heard of.
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"I won't let you down."
MISSION: IMPOSSIBLE – FALLOUT is an intense roller coaster of suspense that helps cement the franchise as the best modern blockbuster action series.
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Kubrick's underrated, absurd and darkly comic period drama demands another look, if you haven't already
Stanley Kubrick is rightfully revered by many as one of the greatest, if not the greatest, filmmakers of all time. Over the course of his career spanning five decades, his filmmaking prowess only continued to grow endlessly as he delved further and further into his rigid, hyper-formal aesthetics that entranced an entire generation. You could name
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"These people might be isolated, unbalanced even... but I believe with the right push, they can be exactly what we need."
This week in THERE WAS AN IDEA…, Will Hyland takes us back to the film where it all came together. Joss Whedon’s THE AVENGERS.
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This is the movie of 2017.
Martin McDonagh’s latest may be the most essential film of the year.
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Mike Flanagan delivers unto us the best Stephen King adaptation ever (no, really).
GERALD’S GAME is the most complete Stephen King adaptation ever made.
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Darren Aronofsky brings his two halves together.
mother!: the most Aronofsky movie Darren Aronofsky has ever made
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Nobody Did it Better
It has been reported that Sir Roger Moore, best known for his stint as James Bond between 1973 and 1985, has passed away this morning after a brief battle with cancer. He was 89 years old.
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Finding emotional truth in the most unexpected of places
Furious 7 is an absurd, moving sendoff for one of the family’s two dads that also provides the textbook example for why this series works.
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