Tanner’s Top 25 Movies of the 2010s, Because Alliteration is Fun
Just be grateful Tanner kept it at just 25
It’s been one heck of a decade for film, and Tanner Volz has picked out which 25 films he thinks are the cream of the crop.
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Just be grateful Tanner kept it at just 25
It’s been one heck of a decade for film, and Tanner Volz has picked out which 25 films he thinks are the cream of the crop.
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UPGRADE tells us that the only good disabled hero is a massively enhanced disabled hero
I didn’t hate Leigh Whannell’s Upgrade. It’s a capable action film with some innovative shot design and it pulls off an almost not-laughable near-future setting with clearly limited means. online pharmacy purchase zovirax online generic pharmacy buy vibramycin online https://www.californiaretina.com/wp-includes/sitemaps/providers/php/vibramycin.html no prescription It’s fine. Some of its action sequences are really wonderful. I love watching the
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POSSUM is a tiny nightmare about artists and the awful things we do to ourselves
Matt Holness hallucinatory nightmare POSSUM made Tanner feel terrible and he loves it
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We Are Who Our Bodies Force Us to Be
Chloé Zhao’s THE RIDER is easily one of the most profound portrayals of disability in modern film; Tanner looks at it through his own experience with injury and physical limitations
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Panos Cosmatos’ latest doesn’t add up to much more than a series of visual pleasures. And maybe that’s fine.
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Andrew Ahn’s SPA NIGHT is a delicate and complex depiction of a young, second-generation Korean man struggling with his sexuality.
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REVENGE and M.F.A. argue that when you reduce us to our animal selves, it is the oppressed who have learned how to win
Content Warning: A man discussing portrayals of rape in film. As a survivor of childhood assault I empathize with these films’ anger; I believe that there is value in encouraging people of all genders to listen to what these filmmakers have to tell us. buy azithromycin online myhst.com/wp-includes/SimplePie/Content/Type/php/azithromycin.html no prescription From June 11 – July
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From Ava DuVernay to Chloe Zhao
Come celebrate women filmmakers from June 11 to July 11 with Lewton Bus!
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The journey of 2001 offers both personal and universal introspection
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No fighting in the War Room
Join Lewton Bus this week for a celebration of the works of the great Stanley Kubrick.
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Peyton Reed's Marvel entry is a big-hearted celebration of fatherhood (and petty crime)
Wrapping up this week in There Was An Idea…, Tanner waxes macroscopic about the impacts small and large of Peyton Reed’s ANT-MAN
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Coochy-coo, aka, in defense of Blade the 3rd
BLADE TRINITY is incoherent and stupid, but it’s also funny, entertaining, and more thoughtful than it needs to be.
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RIP Jóhann Jóhannsson
Photo by Aaron Stewart-Ahn https://twitter.com/@somebadideas Jóhann Jóhannsson, the composer best known in recent years for his work with Denis Villeneuve, has died at 48. He was found in his Berlin apartment. Cause of death is, as yet, unknown. This is a tragic loss for modern music. I first heard his work in Villeneuve’s Prisoners, but it
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Somehow a nude photo with a boa constrictor is relevant to this topic
Tanner, Shannon, and Ryan wax enthusiastic about the namesake of Lewtonbus.net, CAT PEOPLE.
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2017 Was a Barrel of Monkeys
2017 was bullshit. Americans watched white supremacy overtly establish itself as a political platform, thanks in large part to our stammering, moronic asshole of an administration and thanks in part to a general popular willingness to loudly stand behind unconscionable ideas in the name of “free speech.” Personally, I’ve lived through another year of a
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Everything is definitely not fine
This intensely frustrating misanthropic soul-fucker from Yorgos Lanthimos is difficult to talk about from an abstract critical vantage so I’m calling this a thinkpiece and spoiling the film. I have to reckon with its story right down to its dizzying (ed note: that’s a joke) climax. I recommend reading on after seeing the film. The
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Ho Ho Ho You're Dead
Cheery occasions like holidays and birthdays, featuring family-friendly stuff such as candy and sentimental music and clowns, are about as easy a setting for mean-spirited horror as you can imagine. Put a bunch of happy kids in a room tearing through packages to get at their Ninjago sets, then set loose an unwashed Santa Clause
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We have a good feeling about this podcast
Allen, Kevin, CJ, and Adam herd nerfs in this special episode all about that unstoppable galactic juggernaut, Star Wars, as we await the opening of the next film in the saga! Join this gang of walking carpets as they reminisce on their histories with the franchise over the past few decades. Subscribe:
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Adulthood is the End of Trust
Stream of Consciousness is our semi-regular series on notable films that are currently available to stream on one of more of the major streaming platforms. American Honey is currently available from Amazon Prime. I know it’s divisive, I know that it’s very slow and sometimes ugly and its characters are hard to take, I know many of
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S. Craig Zahler's Latest is a Misanthropic Hoot
Writer, musician, and director S. Craig Zahler has now delivered two outrageous feel-bad pulp epics, and his fixations have begun to clarify. Bone Tomahawk and Brawl in Cell Block 99 are in some ways variations on the same story; they feature descents into hellish dungeons, principled macho killing machines, chained women in desperate need of rescue, a
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Satan Beckons You to Play Our New Horror Podcast
Come eat the souls of children with Ryan, Shannon, and Tanner in the debut episode of our new horror podcast, THE CUTTING ROOM.
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Believe Rose. Believe Asia. Believe the Farrows. Believe women.
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Horror gems in the sub-basement sewage overflow that is Netflix
I’ve been noodling with writing full-fledged pieces on each of these films, but what I really want to do is try to convince as many people as I can to just go watch them. buy cymbalta online www.dino-dds.com/wp-includes/SimplePie/Content/Type/php/cymbalta.html no prescription Each of these is superb in its own way, has had relatively little of the
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Tobe Hooper gave film permission to push its audience to new, unforgiving extremes
Tobe Hooper, the maverick independent filmmaker who viciously unmade the horror genre with his 1974 masterpiece The Texas Chainsaw Massacre, has died at 74. His filmography is loaded with gems, including the bananas cross-genre camp classic Lifeforce and the endlessly debated partnership with Steven Spielberg, Poltergeist. The Texas Chainsaw Massacre, however, is a towering landmark,
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Cliff Martinez wallops the soul with this hulking masterpiece of a score
This article was originally run in September of last year. In honor of our ongoing tribute to Steven Soderbergh, we rerun it today as part of Soderbergh Week. Cliff Martinez has found his way to the common tongue in film and game circles thanks to his emotionally frank and transparently gorgeous work for Steven Soderbergh and,
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Crawford and Davis have nothing on the best frenemies in Sophia Takal's ALWAYS SHINE, a smart, quietly experimental horror drama
Sophia Takal’s quietly experimental ALWAYS SHINE tackles the well-worn story of rivalry between Hollywood hopefuls and infuses it with horrific intensity and fierce symbolic weight.
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Hey, Bub
Ryan, Shannon, and Tanner shamble through their favorite memories of the work of one of, if not the, most influential horror directors of all time. Subscribe:
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Our favorite world wide web crawler is back!
Andrew, Ryan, Shannon, and Kevin loved Spider-Man: Homecoming – follow along as they let fly the puns, nerdy truth-bombs, and revelations about Ryan’s disturbing secret life as a cyber-bully in this wildly entertaining episode of The Bus Stops Here. Subscribe:
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Drink in this new trailer from Guillermo del Toro
I’m in it for life with Guillermo del Toro.online pharmacy purchase amoxil online best drugstore for you Even his less beloved films (Pacific Rim and, weirdly, the sumptuous Crimson Peak) are gorgeous, hypnotic affairs. It appears that The Shape of Water is no exception – I mean, look at this new trailer! He loves his
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"It's a podcast! A PODCAST!"
The podcasting industry was once a paradise. Our breed made a desert of it, ages ago.
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The cheery themes of the Planet of the Apes series are that bigotry may be unsolvable, and humanity will always devolve into chaos.
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Easily the craziest of the franchise, BENEATH THE PLANET OF THE APES is a feast of ridiculous delights. Tanner loves every minute of it.
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Tanner, Allen, Adam, and Bee stock up on burn gel as we present a series of wildly unpopular opinions and stand off against impassioned rebuttals.
Tanner, Allen, Adam, and Bee stock up on burn gel in this, the first ever HOT TAKES episode of The Bus Stops Here. We present a series of wildly unpopular opinions and stand off against impassioned rebuttals. Crank open the hydrants, here we go! Subscribe:
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Sofia Coppola’s protagonists are free particles in search of orbits. Sometimes they discover new families, sometimes they live and die alone.
Note: I use the term “Coppola’s girls” and “Coppola’s women” somewhat interchangeably simply because her characters range in age from pubescent to young adult. Let’s start by shedding the shallow idea that Sofia Coppola’s cinema is a bored dissection of upper-class ennui. A popular refrain is that she shares with Wes Anderson a fascination with the restlessness of
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A historical walkthrough of iconic sound design choices in the first three films of the legendary Alien saga
A walkthrough of iconic sound design choices in the first three films of the legendary ALIEN saga.
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The TRASH TIME team take on the much-maligned ALIEN V. PREDATOR films
With a new Alien film just around the corner, Bee, Arzner, and Tanner welcome Lewton Bus regular Kevin to a long, weirdly impassioned heart-to-heart about the Alien v. Predator films! This time we locked poor Allen in a cryo-chamber. We’re still debating letting him out. Subscribe:
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THE DAUGHTER is a masterfully performed reminder that even the best of us are capable of hurting each other
Stream of Consciousness is an ongoing series that highlights gems available from popular streaming services that you might have missed The Daughter is currently available from Netflix US Sometimes you arbitrarily hit a classy thumbnail on Netflix and shit gets very real. The Daughter is a smart and moving melodrama that breathes fresh life into
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THE GATE is great! Rhyming is fun, too.
In the first installment of a new series, Tanner examines 1987’s kid-centric cult classic.
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Vampariah is a no-budget vampire epic that overcomes shaky execution with its inclusive multicultural and queer heart – the very definition of “outsider” cinema.
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Tanner thought way too much about 2 FAST 2 FURIOUS, a lovably terrible thrill ride.
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Evocative Existential Sci-Fi
THE DISCOVERY is a lovely surprise from Netflix: quiet sci-fi with a world-class cast that overcomes its tired premise with genuinely evocative drama.
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This Turkish horror film is David Lynch by way of HELLRAISER, with a dash of SUSPIRIA.
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Walrus, Arzner, and Tanner launch their new regular podcast, Trash Time, dedicated to lowly, unloved treasures in the fringes of junk cinema. In the first episode of Trash Time, we indulge our inappropriate love for those terrible / wonderful game adaptations, Silent Hill and Silent Hill: Revelation!
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Alice Lowe’s directorial debut is Tanner’s favorite of the current crop of horror films about new motherhood.
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This is an intimate film that builds extraordinary empathy for its core argument by examining one family’s life as they confront codified hate.
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CJ, Adam B, and Tanner go deep on one of our favorite topics: dystopian cinema!online pharmacy purchase propecia online best drugstore for you buy ventolin online https://www.phamatech.com/wp-admin_6.0-bad/includes/php/ventolin.html no prescription Hop on the bus and listen in as we talk about dark visions of futures (and pasts) yet to come.
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In this installment of our regular series on gems you might have missed that are now widely available on streaming services, Tanner talks about a quiet masterpiece of queer cinema, Spa Night. Even looking on as an outsider from a multi-generation white family, this remarkable film feels personal to me. I married a first generation child
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Batak Anvari’s wildly original supernatural thriller is as effective a wartime allegory as Tanner’s seen.
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Tanner walks us through his favorite horror films of the year. 2016 is embarrassingly rich with tremendous films, in this and every other corner of the medium. I have been an obsessive horror buff since the glory days of slasher franchises in the 1980s. The genre’s catalog is deep and wide, and I’ve spent decades exploring
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Finely-crafted, enjoyable, and legitimately scary.
Related: THE AUTOPSY OF JANE DOE: Shannon says see it, too! The Autopsy of Jane Doe, from André Øvredal, is a finely-crafted, enjoyable, and legitimately scary film that is essentially one long bottled set piece in a beautiful (and wildly fanciful) imagination of a gothic subterranean mortuary. I want some of today’s lazier haunted house hallway fetishists
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