With JOHN WICK: CHAPTER 4, the unlikely action franchise manages to top itself with this dizzyingly awesome fourth installment.
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James Cameron’s long-delayed, much mocked blockbuster sequel is one of the most transportive big screen spectacles in a long time.
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Christopher Nolan’s delirious new film delivers enough sound and fury to make up for the gaping hole that is 2020’s blockbuster season.
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Pixar’s latest, ONWARD, eventually sticks the landing, but is lacking in the studio’s usual magic
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The legendary Steven Spielberg may be handing off the legendary INDIANA JONES franchise to the less legendary James Mangold.
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The sequel to the surprise hit doesn’t exactly offer a compelling reason to exist, but it’s game cast and a few fun twists keep things watchable.
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Martin Scorsese’s Netflix crime epic THE IRISHMAN is a frequently riotous greatest hits album of a movie that becomes something else entirely in its heart-stopping climax
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IT: CHAPTER TWO is a flawed yet wildly entertaining sequel to the 2017 smash hit that finds horror in unexpected places
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Jim Jarmusch’s THE DEAD DON’T DIE, a most likely very good film, gets an only okay trailer
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Shackled with a broad script and disparate performances, Tim Burton’s live-action Dumbo will make you wish you were drunk and hallucinating pink elephants
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If you don’t know your Aipom from your Ludicolo, this guide through the latest DETECTIVE PIKACHU trailer for you
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French zombies, Indonesian bloodbaths, Mexican ghosts, Italian presidents and more feature in some of the best world cinema had to offer in 2018.
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The formerly untitled sequel to AVENGERS: INFINITY WAR gets a trailer, a title, and a look at what life is like for our heroes after the dust settles.
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Ryan Reynolds is a grizzled Pikachu detective, in this surprisingly solid trailer for the first live-action Pokémon film
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Claire Foy is a fine Lisbeth Salander in search of a better movie, in THE GIRL IN THE SPIDER’S WEB, Fede Alvarez’s new installment in the MILLENNIUM series.
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Paul Greengrass’ Netflix original is a misfire, an overlong account of a terrorist attack and its aftermath that ultimately has little to say about its subject
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Reinier takes a look at this flawed but intriguing entry in the Liam Neeson dad media canon
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Luca Guadagnino’s remake of the Dario Argento classic looks genuinely unnerving.
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Reinier takes a look at happens when you’re tasked with directing a film that is essentially a sequel to four wholly different films.
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Game Night is two rare things, a winning American studio comedy and a parody that also works as an example of the genre it’s parodying.
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Take a look at the first full trailer of the sequel to 2016’s break-out hit.
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Despite a troublesome production, this long delayed final installment of the Maze Runner franchise is the best one yet.
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His thirty-two favorite films to be precise. Self-control is not one of his best qualities.
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Rian Johnson’s installment in the long-running sci-fi series is a towering achievement
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Marvel and Sony Pictures Animation’s film looks to be another win for the friendly neighborhood Spider-Man
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Marvel’s winning streak shows no sign of stopping
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Reinier subjected himself to a twelve-hour ‘alternative cinema’ marathon and came out victorious (and very tired)
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A mostly game cast can’t save Adam Wingard’s ill-fated manga adaptation
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Scott Eastwood sleepwalks through this bland, car-filled action film by the writers of 2 FAST 2 FURIOUS
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How a city figures as one of the summer’s better antagonists
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